• GROUP EXHIBITION AT THE CENTRE FOR FINE ARTS IN BRUSSELS

    posted by Studio Phil Akashi on Tuesday, February 11, 2014

    The 7, 8 and 9th of February 2014, Phil Akashi participated in the group exhibition “Art Truc Troc 2014” at the Centre for Fine Arts Bozar in Brussels. For this 10th anniversary of Art Truc Troc, artists from various disciplines showed their artworks in an exhibition room of over 1600 m2. The artists have been selected by the Wolubilis Cultural Center, curator of the exhibition.

    Art Truc Troc is a unique concept and a major event in Contemporary Art in Belgium. During the exhibition, the visitor is invited to exchange an object, service, material, trip or any other proposal that (s)he can come up with that is likely to suit the artist, for a work of art and its perceived value. So there is no question of money here, simply of original and unusual exchanges. Once a visitor is seduced by a work, he or she can write a barter suggestion and contact information on a post-it that he will place next to the work. The artist can then choose to contact him or not at the end of the exhibition.

    It is an opportunity for the general public to discover contemporary art in a playful setting and it is also an opportunity for young artists to exhibit their work in an exceptional venue, in the company of other, confirmed artists who embrace the Art Truc Troc principle with enthusiasm. 

     

    Phil Akashi Palais des Beaux Arts Center of Fine Arts Brussels

    Cookies & Cream, Chocolate Beauty Series, Centre for Fine Arts - Palais des Beaux-Arts, Brussels 2014 

    Phil Akashi Palais des Beaux Arts Center of Fine Arts Brussels

     

    Phil Akashi Palais des Beaux Arts Center of Fine Arts Brussels

     

    Phil Akashi Palais des Beaux Arts Center of Fine Arts Brussels

     

    Bozar Phil Akashi

     

    Phil Akashi Palais des Beaux Arts Center of Fine Arts Brussels

     

    Phil Akashi Palais des Beaux Arts Center of Fine Arts Brussels

     


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  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys